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Anubis,
is the Greek name for the ancient god
in Egyptian
mythology whose hieroglyphic
is more accurately spelt Anpu (also Anup,
Anupu, Wip, Ienpw, Inepu, Yinepu, or Inpw).
Prayers to Anubis have been found carved
on the most ancient tombs in Egypt, indeed
the Unas text (line 70) associates him
with the Eye of Horus.
Lord of the Dead
Originally, in the Ogdoad
system, Anubis was god of the underworld,
and his name is frequently thought to have
reflected this, meaning something like putrefaction.
Anubis was said to have a wife, Anput, who
was really just his female aspect, her name
being his with an additional feminine suffix
(the t), who was depicted exactly the same
(though feminine). His father was originally
said to be Ra, as he was the creator god,
and thus his mother was said to be Hesat,
Ra's
wife, who later was identified as Hathor
(who her identity was remarkably similar
to). As lord of the underworld, Anubis was
identified as the father of Kebechet,
the goddess of the purification of bodily
organs due to be placed in canopic jars,
during mummification.
Dogs and jackals often loitered at the edges of the desert,
especially near the cemeteries where the dead were buried,
in fact, it is thought that the Egyptians began the practice
of making elaborate graves and tombs to protect the dead from
desecration by jackals. In consequence, Anubis was usually
thought of as a jackal, an association reinforced by certain
variations of his hieroglyph, which can be translated as young
dog. Thus, ancient Egyptian texts say that Anubis, like a
jackal, silently walked through the shadows of life and death
and lurked in dark places, watchful by day as well as by night.
In art, Anubis was usually depicted as
a man with the head of a jackal, and alert
ears, often wearing a ribbon, and wielding
a whip. On very rare occasions, Anubis
was shown fully human, or slightly more
frequently as fully jackal. However, Anubis
was also depicted as black, rather than
brown, the colour of jackals, since black
was the colour that the body turned as
a result of mummification.
As ruler over the dead, Anubis was given
titles such as He who is set upon his
mountain, in reference to his sitting
atop desert cliffs to guard multiple necropolis,
and Chontamenti (also spelt Khentimentiu,
and Khentamenti), meaning Lord of the
Westerners, in reference to Egyptian belief
that the entrance to the underworld was
towards the west, since that was the direction
in which the sun set. As ruler, Anubis
was also said to have been victorious
over the dark forces (described as nine
bows), which also, naturally, lurk in
the underworld, gaining him the title
Jackal ruler of the bows.
As king of the underworld, Anubis was
also considered to be the one who weighed
the heart of the dead against the feather
of Maàt (the concept of truth),
gaining him the title He who counts the
hearts. One of the reasons that the ancient
Egyptians took such care to preserve their
dead with sweet-smelling herbs was that
it became believed Anubis would check
each person with his keen canine nose.
Only if they smelled pure would he allow
them to enter the Kingdom of the Dead.
Embalmer
Following the merging of the Ennead and
Ogdoad belief systems, as a result of the
identification of Atum
with Ra, and their compatibility, Anubis
became considered a lesser god in the underworld,
giving way to the more popular Osiris.
Indeed, when the Legend of Osiris and Isis
emerged, it was said that when Osiris had
died, Anubis stood down from his position
out of respect for Osiris.
Since he had been more associated with
beliefs about the weighing of the heart,
than had Osiris, Anubis retained this
aspect, and became considered more the
gatekeeper of the underworld, the Guardian
of the veil (of death). As such he was
said to protect souls as they journeyed
there, and thus be the patron of lost
souls (and consequently orphans). Rather
than god of death, he had become god of
dying, and consequently funeral arrangements.
It was as the god of dying that his identity
merged with that of Wepwawet,
a similar jackal-headed god, associated
with funerary practice, who had been worshipped
in Upper Egypt, whereas Anubis' cult had
centred in Lower Egypt.
As one of the most important funerary
rites in Egypt involved the process of
embalming, so it was that Anubis became
the god of embalming, in the process gaining
titles such as He who belongs to the mummy
wrappings, and He who is before the divine
[embalming] booth. High priests often
wore the Anubis mask to perform the ceremonial
deeds of embalming. It also became said,
frequently in the Book
of the dead, that it had been
Anubis who embalmed the dead body of Osiris,
with the assistance of the other main
funerary deities involved - Nepthys,
and Isis. Having become god of embalming,
Anubis became strongly associated with
the (currently) mysterious and ancient
imiut fetish, present during funerary
rites, and Bast,
who by this time was goddess of ointment,
initially became thought of as his mother.
However, as lesser of the two gods of
the underworld, he gradually became considered
the son of Osiris, but Osiris' wife, Isis,
was not considered his mother, since she
too inappropriately was associated with
life. Instead, his mother became considered
to be Nepthys, who had become strongly
associated with funerary practice, indeed
had in some ways become the personification
of mourning, and was said to supply bandages
to the deceased. Subsequently, this apparent
infidelity of Osiris was explained in
myth, in which it was said that a sexually
frustrated Nepthys had disguised herself
as Isis in order to appeal to her husband,
Set, but he did not notice her as he was
gay and infertile, wheras Isis' husband
Osiris did, mistaking her for his wife,
which resulted in Anubis' birth. Some
more homophobic versions of the myth depict
Set as the father.
In later times, during the Ptolemaic period, as their functions
were similar, Anubis was identified as
the Greek god Hermes, becoming Hermanubis.
The centre of this cult was in uten-ha/Sa-ka/Cynopolis,
a place whose Greek name simply means
city of dogs. In Book xi of The Golden
Ass by Apuleius, we find evidence that
the worship of this god was maintained
in Rome at least up to the 2nd century.
Indeed, Hermanubis also appears in the
alchemical and hermetical literature of
the Middle Ages and the Renaissance.
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and Goddesses Menu
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