In Egyptian mythology, Seker (also spelt Sokar, and Sokaris, and in Greek, Socharis) was originally, during the Old Kingdom, the deification of the act of separating the Ba from the Ka, roughly the separation of soul from the body, after death. This was said to be enabled by the funerary ceremony of opening the mouth, and thus Seker was given his name, meaning cleaning of the mouth.

The Ba, roughly equivalent to the soul, was shown in art, as a human-headed bird fluttering above the Ka, roughly equivalent to the, now mummified, empty shell of the body. Consequently, Seker became depicted as a mummified human who was falcon-headed, and had green skin, symbolising decay. The usual depiction of the Ba in this form lead to Seker gaining the epithet great lord with two wings opened. A statue of Seker was often placed in tombs, the bottom of it containing the deceased's Book of the Dead, to encourage the successful separation and release of the Ba.

In Memphis, Seker was worshipped as the patron god of the necropolis, and was so was known as (one who is) on the sand, the necropolis itself became known as Sakkara after his name. In Thebes he had a dedicated festival, known as the Henu Festival, in which an image of Seker was carried in a barque, representing the ferry that carried the deceased through Aaru.

His name could also be decomposed to mean adorned one, and so Seker gradually also became associated with the secondary function of being the patron god of jewellers, armourers, and other metal workers. Consequently, during the Middle Kingdom when Ptah became viewed as god of craftsmen, and god of reincarnation, Seker, as god of a class of craftsmen, and god involved in starting the process of reincarnation, became closely associated him. Eventually, Seker's identity was subsumed into that of Ptah, becoming Ptah-Seker. By the start of the New Kingdom, Ptah-Seker, as a funerary god, had become subsumed into the now much more important god of death, Osiris, becoming Ptah-Seker-Osiris.

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